I’m finally going to visit the place I have felt instinctively drawn to since a child. A country with more vast chasms of inequality than I have ever experienced in my life. Where many children live in slums, collecting rubbish from landfill sites in order to earn enough to eat and survive. A place of extremes, where around the corner from these heartbreaking scenes bustling cities thrive and a country on its way to commanding immense international power drives forward technologically and financially. A place with a deep cultural and spiritual history comparable with nowhere else on earth. A country where colour and light and life assault the senses in the most intense and beautiful ways.
So I’ve heard.
I’ve never actually been to India, but after being accepted onto an artist residency with the Kalanirvana International Art Centre, I’m due to fly out on 1st Feb 2019 for two weeks in their shared studio/artist accommodation in Bhubaneswar. The setting looks more perfect than I could have imagined. Bhubaneswar is said to be the birthplace of Bhuddism, a belief structure I have come closer to being able to accept than any other throughout my life. The area looks inherently ‘local’, not untouched by tourism, but not its captive either. A place so steeped in history, culture and spirituality I can’t imagine I’ll want to leave at the end of it.
Aside from the amazing location, I will be allowed access to a 24hr shared studio in which to create and to explore the responses my journey illicits in me. The organisation will introduce me to local residents and guide me around the most pertinent spots to visit while I’m there. I couldn’t be more excited!
Even better is the chance to work alongside and to meet, other international artists who will be staying in the residence. Almost all of my art production until now, and particularly recently, has been very much a private practice. Undertaken in my bedroom at home, in familiar surroundings. A literal comfort blanket. I’m excited to see what effect such an extreme change in circumstances and setting has on my artwork.
I have ideas already, thinking of sketching from life when on tour and then extending delicate pencil drawings of sculptures and temples into abstract designs in pen back at the studio, perhaps adding washes of watercolour too. I will almost certainly combine my photography with my pen work, in collage styles I am already beginning to experiment with now in anticipation of the trip.
I’ve only just booked my flights and the trip is 3 months away, but I’m already feeling my imagination and creative urges bolstered by this amazing life experience. Watch this space for daily updates while I’m away…